Use the right technique for the right instrument.” You cannot play the violin like it’s an oboe. You cannot play a trumpet like it’s a flute. What I feel sad about is that, while a keyboard offers sounds of all kinds of instruments, many performers don’t play it correctly. Pyarelal clarified his stance on electronic music: “I like everything. Their technical command over their music, despite the difference in the sound of their work in the 1960s, such as Aaye Din Bahar Ke (1966), and their successes in the ’90s, such as Khalnayak, is stunning.Ī constant was the duo’s complex, often polyrhythmic arrangements, and their seemingly calculated distance from the synthesiser and assorted electronics, which became an area in which Laxmikant-Pyarelal’s contemporaries Kalyan-Anandji specialised. Laxmikant-Pyarelal’s soundtracks had an unbelievable range, spread across many genres, moods, styles and situations.įor the soft and pleasant ballads of Dosti or Milan, there was the cheer and bombast of Amar Akbar Anthony and Karz. While Salim-Sulaiman reworked Mere Mehboob Qayamat Hogi ( Mr X in Bombay, 1964), Pyarelal took on Shukran Allah ( Kurbaan, 2009).
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In the episode dated June 20, Pyarelal was paired-with Salim Sulaiman. Pyarelal is among the highlights of MX Player’s new show Times of Music, in which composers from different generations and following different styles reinterpret each other’s music in front of a live audience. The credit for the lush orchestral sound of Vishal-Shekhar’s Dhoom Taana ( Om Shanti Om, 2007), which doffs a hat to the evolving sounds and styles of Hindi film music, goes to Pyarelal. In a career spanning nearly four decades, Laxmikant-Pyarelal produced some of the most acclaimed and successful Hindi film albums: Dosti (1964), Milan (1967), Do Raaste (1969), Bobby (1973), Amar Akbar Anthony(1977), Karz (1980), Prem Rog (1982), Hero(1983), Utsav (1984), Tezaab(1988), Ram Lakhan (1989), and Khalnayak (1993).Īway from active composing duties since Laxmikant’s death in 1998, Pyarelal has sporadically worked as a music arranger. The 79-year-old composer, along with the late Laxmikant Shantaram Kudalkar, created soundtracks for over 600 Hindi films. But that doesn’t mean the relationships themselves are bad.” Sometimes, some friends may fail us, or you may not be happy with your parents. But music is beautiful, like our relationships. You may not like a certain style of music. If you say today’s music is bad, your thinking is wrong. Here’s what one half of the legendary composing duo Laxmikant-Pyarelal told Scroll.in about the widely held belief that the golden era of Hindi film music has long passed: “Music is never bad. “I can talk about music all day,” Pyarelal Ramprasad Sharma, better known to the world by his first name Pyarelal, fondly declared over the phone from his house in Mumbai. Rajasthan: All 15 staff members of school booked for allegedly raping five minor students.Why babies did not sleep away from their mothers for most of human history.Watch: Tossed about by powerful winds, plane makes nerve-wracking but safe landing in Manchester, UK.Watch: Opera singer pauses during song, student joins in from the audience to fill the gap.International passenger flights will not resume till January 31, says India’s aviation regulator.Row after MP senior police officer’s order equates Sikhs, Muslims with terrorist groups.The big news: Bodies of 13 killed in IAF air crash brought to Delhi, and nine other top stories.
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